Tag Archives: storytelling

Myth and Memory

Namita Gokhale, Jan Carson and Vayu Naidu in conversation with Paul McVeigh at JLF Belfast 2019 at the Lyric Theatre

Myth, memory and culture were the ingredients for a lively panel discussion between writers Namita Gokhale, Jan Carson and Vayu Naidu, facilitated by novelist and playwright, Paul McVeigh at this year’s Jaipur Literature Festival in Belfast.Myth and Memory

One of the JLF founders and co-directors, Gokhale has written 19 books and has worked a lot “on myth and the constant reinterpretation of myth in current India.”

Naidu, also born and raised in India, has been “very influenced by myths and mythologies” and said they’d helped her to write about history in her fiction. However, for East Belfast author, Carson, her interest in mythology was more about “making up my own myths – contemporary myths.”

Indeed, growing up, Carson was surrounded by stories from the King James Bible rather than Celtic myths, which she said made her feel a bit more disconnected from traditional mythology than her fellow panellists. She added that her reworking of myths was subsequently coloured by this particular storytelling language from her childhood.

Asked by McVeigh why she created modern myths and what they allowed her to do, Carson said her magical realism style allowed her to address topical issues in a more indirect way.

Jan

Jan Carson

“For me, Northern Ireland is a prime candidate for that,” she said. “It amazes me that we don’t have more writers here working in that field.”

She added that in a society where people have “become numbed to the status quo,” surrealist writing was a way to “stop people in their tracks” and help them take stock of things.

During the discussion, Gokhale described how India was steeped in mythology and said there were two epic myths – the Mahābhārata and the Rāmāyaṇ – which were originally told in oral form before being written. She herself has retold the Mahābhārata in Mahābhārata, The Book of Shiva.

“It’s a very vital and living topic in India,” she said. “Myths dominate and control every aspect of life [there]… There are many different levels of gods and goddesses in India – and a lot of goddesses who are goddesses in their own right.”

Naidu, meanwhile, who performs epic literature as well as being a writer, said Indians tended to “think in a kind of poetry.” She added that, living as she does now in England, she carried Indian mythology with her as a way of viewing the world.

lyric ceiling“For me, the myths are a memory for how I understand the Western world,” she said. “I won’t give up that way of thinking.”

Each of the writers shared some of their work with the audience, with extracts read by Carson and Gokhale and a special oral storytelling performance from Naidu.

Reflecting on the differences between oral storytelling and writing, she said: “The oral tradition is action-driven. When you’re writing, you’re in isolation – it’s more immersive.”

Going on to discuss memory, Carson, who also works with people who have dementia, said she’d learned that memory was something that wasn’t fixed. “As you grow and gain life experience, it changes your perspective of the past,” she said. “The memory [of things] begins to change.”

Collectively asked by McVeigh if holding onto memory too much could also prevent cultures from growing, Naidu said people could indeed get very fixed into the past. However, she added that, “collated memory can be a transformative thing.”

With Gokhale previously explaining how Hindu icon Radha is “the subject of every Bollywood film,” the event finished rather fittingly with an impromptu rendition of a Bollywood song from another festival participant.

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Foremothers: Women and Freedom

Bee Rowlatt, Lucy Caldwell and Namita Gokhale in conversation with Vayu Naidu at JLF Belfast 2019

The second event I attended at the Jaipur Literature Festival in Belfast back in June as official festival blogger involved an all-female group discussion about strong women – those foremothers who had inspired the assembled writers and also, the importance of remembering women, who are all too easily erased from history.

Foremothers

Facilitated by Vayu Naidu, she posed this initial question: “Foremothers appear in the domestic and the political. But what is this thing called a ‘foremother’?”

Namita Gokhale, who hails from the Himalayan Mountains, said she had recently been handed a matriarchal family tree going back nine generations, which is unusual, as patriarchal family trees are more common. She said that this had given her a distinct feeling of where her inner strength as a woman came from. She added later in the discussion that she had always been part of a family of four living generations and that being part of that had also helped hone her identity as a strong woman.

“We’re told Indian women are shy,” she said. “We’re not… I’m very religious and I always identified with the bad-tempered Indian goddess.” She added that she liked the mantra, ‘fear nothing’.

For Northern Irish writer, Lucy Caldwell, highlighting foremothers, particularly in the writing world, is incredibly important. Having been involved with two all-Irish female author anthologies in recent years – The Long Gaze Back and The Glass Shore – she said that she considered those part of her history. She added that her mum had always taken her to the library as a child and was another influential woman in her life. Becoming a mother herself had further helped to shape her writing.

“The thing that changed my writing life was having children,” she said. “It gave me a new fearlessness. I didn’t care what anyone thought about my writing anymore.”

For Bee Rowlatt, Mary Wollstonecraft – described as ‘the first celebrity feminist’ – has been an incredibly influential foremother and she spoke passionately about her during the discussion. Discovering Wollstonecraft’s story as a literature student, Rowlatt subsequently travelled the world with her baby son, mirroring Wollstonecraft’s own voyage back in the day and writing about the experience in her travel book, In Search of Mary.

“Mary Wollstonecraft went on a voyage – a treasure hunt – with her 11-month-old baby,” she said. “She wrote a bestseller along the way. I decided I would try this too…

“Everywhere I look in history it’s the women’s voices, the women who are vectors of information. They know what’s going on and you ignore that at your peril.”

The event closed with a Q&A from the audience, which saw some further discussion on the importance of recording women in history.

Gokhale had earlier urged everyone to “reach out to the older people in your lives and record.” She added: “It’s the lack of records in women’s lives which makes it more important to research them.”

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Patrick Gale and David Park

A few of my blogs from this year’s inaugural Jaipur Literature Festival in Belfast and Bellagy have now been published on the JLF website (see my previous blog post here for more details on this), but there’s a few from the Saturday which haven’t appeared, so I’ve decided to post them on my own blog in the meantime, starting with the first event I attended below. 🙂

Places Called Home

Patrick Gale and David Park in conversation with Elaine CanningDaviv Park1

Family is at the heart of the most recent novels by British writer, Patrick Gale (Take Nothing with You) and Belfast author, David Park (Travelling in a Strange Land). It was subsequently very much at the core of this event, facilitated by Elaine Canning at the Lyric Theatre.

With both writers brought up in very religious households, they agreed that this was something which had seeped into their work.

Park, whose upbringing was in the Baptist faith, said the first stories he ever heard were from the Bible. “The language of the Bible became cloaked around my brain,” he said.

Gale also had a “very religious upbringing.” Indeed, his father was the son and grandson of a priest and may have become one himself, said Gale, had he not married Patrick’s mother…

The event was interspersed with readings from both authors, including both their non-fiction and fiction.

David Park Me

With David Park

“When you write about yourself and your family, as Patrick has revealed, there are pain moments,” said Park. One of those ‘pain moments’ for Park was in writing about an instance at Primary School, when he told the class his father was a bread server, as he felt shame in saying ‘labourer’.

Both Park’s and Gale’s novels ultimately focus on the dynamics of family relationships and belonging. “What you’re doing is writing about interesting failures,” said Gale.

In Gale’s novel, his protagonist, Eustace, reflects on his youth while receiving treatment in hospital. His parents are going through a rocky patch and Eustace, who is dealing with the business of growing up and discovering who he is, subsequently finds solace in music. “It brings him into contact with people who become substitute family,” said Gale.

A cellist himself, Gale added that the discipline of learning to play music has helped him as a writer. Park agreed that music was a big part of his own life. “Music, for me, is a constant all day long,” he said. “It calms and motivates me.”

As Canning pointed out, place also plays a huge role in both Park and Gale’s novels and not just place, but enclosed spaces. Indeed, Park’s story plays out in a car while Gale’s sees Eustace reflecting in a confined room during his treatment.

“There’s no such thing as the perfect family,” said Park. “My book is from the father’s perspective and about how to be a father, which is a difficult thing to know. It’s about a journey from Belfast to Sunderland.”

P Gale me

With Patrick Gale

“Both books illustrate the way we carry our families in our heads,” added Gale.

The novels also explore the idea of self-love and self-protection, said Canning, who also touched upon the function of music in both narratives. The cello and classical music is integral to Eustace, said Gale, while for Park’s story, pop music takes precedence.

The event itself finished on a musical note, with Gale reading an extract about music from his novel, followed by an audience Q&A. During this, Gale was asked what book of his own he would recommend a young person to read with regards to understanding their sexuality, as he speaks a lot in schools and is often asked the same. He said Friendly Fire was what he would advise and added that it was loosely based on his own upbringing.

The final word of the day went to Park, who was asked if things had to happen in real life to be able to write about them, or of imagination was enough.Patrick Gale book

“Everything you need is in the world of the imagination,” he said. “It’s the richest gift humans have.”

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Celebrating women writers

International Women’s Day events

This time last week I was in the midst of celebrating International Women’s Day with a collection of women writers from the North Coast, so this week, I thought I’d reflect on how it all went.

Claire Savage, Bernie McGill and Margot McCuaig at Waterstones.

With Bernie McGill and Margot McCuaig.

 

All of the writers taking part were members of Women Aloud NI, which you will know all about if you read this blog regularly but if not, just click the linked text above. Basically, it aims to raise the profile of women writers from Northern Ireland and last week’s events are one example of how this is done.

Anyway, we gathered at Waterstones Coleraine, where the staff once again kindly hosted us for the afternoon, talking about our work and sharing it with members of the public by reading short extracts. First up was a panel discussion entitled A Sense of Place which saw myself and Portstewart author Bernie McGill discuss how the local landscape has influenced our work with Glasgow-based filmmaker and novelist, Margot McCuaig. Margot splits her time between Scotland and Rathlin Island on the North Coast, where she has her roots, and is also heavily inspired by the rugged landscape on this northerly part of Ireland.

Back (L-R) Claire Savage, Elaine Donnelly, Antoinette Bradley, Hilary McCollum, Anne McMaster, Bernie McGill, Yvonne Boyle. Front (L-R) Julie Agnew, Mandy Taggart and Jane Talbot.

Some of the read-a-thon crew.

 

It was great to have the opportunity to chat about this and to hear from Margot and Bernie about their writing processes, but of course, all too soon, our time was up and it was on to the next event – a read-a-thon filled with everything from poetry and prose, to memoir and travel writing.

If you’ve never been to a read-a-thon before then you really should give it a go as it provides a flavour of a wide variety of writing and introduces you to lots of great new work. We each read from our work for up to five minutes, with timing carefully controlled by Women Aloud NI director, Jane Talbot. It was lovely to see a healthy crowd assembled for each of the events and hopefully, some of them will have been inspired to look up one or more of the writers in attendance and check out their work.

Magical Masquerade in the library

Claire reading

Reading from MM.

Women Aloud is a great support for women writers and, as well as our public Facebook page, we also have a private members group, where we can chat about all sorts of writing-related things. And so it was that, during a chat last week about getting books stocked in our local libraries, I was reminded that my own book is available in branches throughout Northern Ireland and I’ve never really told anyone about it!

You may recall that I took part in a Dublin Book Festival event last November, which was held at Portstewart Library. Libraries NI very kindly bought in 35 copies of Magical Masquerade, which were given to a class to read before the event. Those copies were subsequently dispersed throughout the Libraries NI branches so, if you’d like to have a read, then please do call in and pick up a copy! And … if your branch doesn’t have any, then feel free to request that they get some in. 🙂

The sequel…

Which brings me onto the next instalment of Felicity’s adventures. Writing is continuing to progress with NN2 (Novel Number 2) and I’m on the downward slope to completion of the first draft. My aim is to be typing up the completed handwritten manuscript in April, which will see the first cycle of editing, as I find that once you start typing it up, you make little changes along the way. Once typed, it will then rest a while, before the serious editing, re-editing and, well, editing again commences.

The story has taken another turn recently into an area that I just hadn’t predicted and to me, this is all part of the joy of writing. I know my destination, but my pen continues to present me with fabulous new ways of getting there. (Well, I hope they’re fabulous – at the minute, I certainly think so anyway, but we will see what future editing Claire says!)

Bits and pieces

Other than that, I’m very busy reading and yes, I managed to upload a couple of BookTube videos recently, so you can watch those here if you feel so inclined: http://bit.ly/2HBVYbv 

I may also be getting involved in another exciting bookish project, but more on that if it comes to fruition… Apologies for being cryptic but I’ll let you know when I know more myself!Culture NI pic

And … if you missed it, or are interested, I interviewed NI Children’s Writing Fellow, Myra Zepf, and also wrote a little about my own path to becoming a published author for Culture NI recently, as part of its creative careers initiative for Creativity Month this March, so you can read that here: http://www.culturenorthernireland.org/features/literature/why-theres-no-right-way-becoming-writer

Think that’s all for now! 🙂

 

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A very bookish winter…

As the year finally begins to wind down, I’m looking forward to lots of things this holiday season – and most of them involve books; both the reading and the writing of. Also, however, the gifting of, as I’m taking part in a little Secret Santa with a few fellow writers from the Women Aloud NI group, and am of course giving some books to a few family members too.

Book gifting…

On the subject of book gifting, forgive me if I just add in here that, if you have a young reader (9-12) who loves magical adventure stories, then my own book, Magical Masquerade, will still arrive with you before Christmas if you order it on Amazon this week or next! The link to purchase is here if you’re interested: http://amzn.to/2AriG3s  🙂

Reading chapter one…MM chapt 1

Also, if you’d like to get a little taster of what MM is like, then I recorded myself reading chapter one last week over on my YouTube channel, which you can view here: https://www.youtube.com/watch?v=bN3YK_JFl4U&t=170s

Memento gift shop

A few copies of MM are also now available at Memento gift shop in Portrush, which is just lovely, and Maggie who runs the shop has displayed it very nicely in the window and in the kids’ section.

Memento shelf

Arts Council NI Christmas Gift Guide for 2017

I was also delighted to see that Damian Smyth, head of literature at the Arts Council of Northern Ireland, included Magical Masquerade on his bookish gift guide for 2017. There are a wealth of talented authors on this list, so I was very chuffed to see myself alongside them! More ideas for gifting if you’re that way inclined…

You can read the full list/article here: http://artscouncil-ni.org/blog/christmas-gift-guide-books

Writing update

Other than that, there isn’t very much else to update you on this month. I’ve been finishing up some work projects and writing bits and pieces of book two, but I’m really going to get my teeth into that next week, when I take my Christmas holidays at last (I work pretty much throughout the year so my main holiday is at Christmas… when I end up writing anyway, though it is fiction rather than copywriting 🙂 ).

I’m pleased with the way the story is going, although I have to just keep on with it and resist the temptation to refine it as I go along. At this stage, it’s just all about getting that first draft on the page, and then the fun of editing and rewriting can begin. Notebook one is almost filled!Memento window

Review!

I’ve had some great reviews from young and older readers alike about MM throughout the year, but I thought I’d just share the most recent one from Amazon with you below, as it’s a lovely example of how the story can resonate with a child even if they don’t read it themselves. 🙂

‘An exciting, stimulating read’

‘I just finished reading this book to my seven-year-old and I have never seen her so carried away by a story.

‘The novel has a strong and simple structure, where each chapter is a new episode in Felicity’s journey, usually involving meeting a new character. The different settings and characters are richly imagined and provide constant contrast and fresh challenges for Felicity. I liked the little touches of Irish folklore. Felicity also makes friendships along the way, which gets the child reader even more emotionally invested.

‘My daughter was wowed by the revelation at the end of the story. All in all, an exciting, stimulating read for the younger age group.’

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BOOK TRAILER REVEAL!

I’m delighted to be able to share my book trailer for Magical Masquerade this week, which has been created by my talented cousin, Laura Crossett, over at Blurbox Media and Design.

Book trailers are a relatively new thing, I think, and can be done in all sorts of ways. Some authors like them, some don’t. It’s like everything I guess – each to their own. Personally, I think they’re another fun way to create awareness about your book – especially for children’s books – and I prefer trailers which are kept short and simple, and without any spoilers of course.

Anyway, I asked Laura to help me out with a trailer for Magical Masquerade and after we’d discussed our ideas, sourced the music and she put it all together in an animation, this is the final result! I love it – and I hope you do too.

Newspaper coverage

I was also very pleased to have last week’s school visit to Kilross Primary featured in the Mid Ulster Mail newspaper. You can read the story here if you wish. I’ve also been interviewed for another publication this week, with pics taken of both me and the pup, so stay tuned for more details on that!

Radio interview

I’m also looking forward to chatting with Denis McNeill about Magical Masquerade over on Q Radio this Thursday (February 23), which will be airing at about 11.25am to be precise and will last for about four minutes. Wish me luck!

Magical Masquerade book trailer

 

Credits

Animation: Laura Crossett from Blurbox Media & Design

Book cover design: Andrew Brown from Design for Writers

Book trailer soundtrack: Music from 3KTrack-Exclusive, purchased from Envato Market

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Author visit…

So, this week’s blog post is coming to you a little later on a rather blustery Sunday evening as I’ve just finished going over the final copy-edited manuscript of Magical Masquerade! (I say final, but we’ll not speak too soon…)

Anyway, it feels good to have that done as it’s getting closer to the time when I discover the joys of formatting and get to send off for my proof copies!

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With Principal Anne Crossett and the P5-P7 pupils of Kilross Primary

 

In the meantime, book proof or no book proof, I’ve already enjoyed my very first school visit as an author and I do say enjoy, because I found it really fun. On Friday I visited Kilross Primary School just outside the village of Tobermore, where I spent the afternoon with pupils in the P5 – P7 classes. They had prepared lots of questions for me and also came up with a good few on-the-spot ones as well, which was great.

img_0954I explained about the writing process and even got to act as teacher for a while, using the whiteboard to explain basic story structure and character profiles.

The kids then had a go at creating their own character and the beginning of a story, and I gave out a couple of notebooks and pens to the top two. Hopefully it will inspire them to keep writing! My attempts at homemade bookmarks for Magical Masquerade also seemed to go down well and each pupil got one of those to take away. The blow-up cover I’d printed off for them to see also seemed to go down well… Oh, and I read a couple of extracts from MM as well.

Next time, they’ll get a copy of the book for their school library. 🙂img_0964

This week I’ve also been working on another promo element for the book, which I’ll be sharing with you soon, so that’s something else to look forward too…

Meanwhile, aside from working on my own book, I’ve also acquired a fair few new books for my TBR, thanks to getting some vouchers for birthday and discovering a great book-tuber called Piera Forde, whose recommended reads are now (mostly) piled up in my living room.

I’ve also ordered my very first FairyLoot YA fantasy-fiction-themed subscription box, which will arrive in March and will contain a new release HB book along with a lot of bookish goodies. It also happens to be their one-year anniversary box, so is going to be that little bit extra-special. Can’t wait for this to arrive!img_0925

Going back to MM, I’m really very happy about all the lovely comments I’ve had since last week, when I shared the cover for Magical Masquerade, so thank you everyone for that. Although the countdown to actually getting my hands on a physical book is now closer than ever, I still won’t actually believe it until I see it. On that, however, I’ll definitely keep you posted. 🙂

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BOOK COVER REVEAL!

Today’s post is all about one thing really – revealing the book cover for Magical Masquerade!

Having been quite organised in this regard, the cover was actually completed before Christmas, but I was keen to get a couple of quotes for it, so decided it was best to (a) see if my chosen reviewers would agree to read the book and (b) see if they would say anything nice about it….

Why was this so important? Well, to me, it’s very important, as cover quotes often entice me to pick up a book by a new author, if I know of the writer who has reviewed the book, and like his or her work. I trust their judgement and take a chance on an unknown.

As a writer who is going down the self-publishing route and isn’t exactly a household name, I find that having cover quotes on my own books also gives me added confidence in my work. Authors I admire have read the book and agreed to associate their own names with it, which, let’s face it, they wouldn’t do if it was sub-standard.

Anyway, I was delighted that the two authors I asked to contribute a cover quote both agreed to do so and were both incredibly kind in what they said. I’ve just lifted an excerpt from their reviews for the front, but you’ll be able to read what they said in full when Magical Masquerade is published, as I’ll be including these within the book.

Cover contributors

Carlo Gébler is a multi-talented writer whose bio (like my other reviewer), you’ll just have to read online (if you click on his name, I’ve linked to one), as he’s done rather a lot when it comes to writing…. He was actually one of the first authors I ever interviewed, when I started my job as a reporter at the Coleraine Chronicle, and from the very start, I liked his forthrightness when it came to talking about writing as a career. He tells it like it is and doesn’t sugar-coat the realities of being a working writer. I liked that honesty.

I also really enjoy his writing, which varies from journalism and plays, to adult fiction and yes – children’s fiction (he’s a former Bisto Children’s Book Award-winner no less). I wasn’t sure if he’d agree to review MM or indeed, like it, but amazingly, he did and he did.

Felicity McCall is another writer who has an extensive portfolio, including journalism, YA (young adult) fiction and plays. Coincidentally, she also shares the same first name as my protagonist, which is in itself quite random, as Felicity isn’t a name I would say is very common! Felicity read the first chapter of Magical Masquerade a few years ago, when I attended one of her writing workshops at the Verbal Arts Centre in Derry. She gave very positive feedback then as well, and I was very happy when she agreed to contribute a few words for the cover.

So, my thanks to both Carlo and Felicity – and also to Andrew Brown from Design for Writers, who probably didn’t realise what he was letting himself in for when he agreed to do the design work! (I am nothing if not a perfectionist…)

Anyway, here it is – the cover. I hope you like it. 🙂

dfw-cs-mm-cover-mid

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Bookish bits and bobs….

Well, it’s almost the end of the month and I’m looking forward to seeing The Ghastling journal in the flesh pretty soon, especially as they’ve had my story very beautifully illustrated by this issue’s featured artist, Anouk van der Meer. Here’s a little teaser of what that looks like!

ghastling-1

Aside from this, I’ve been working with my book cover designer to get things wrapped up that end, as I’m hoping to reveal what Magical Masquerade will actually look like in my next post…. Quotes are being added onto that as we speak (from professional authors that I am very excited about), so next time we meet, I fully intend to be able to show this to you at last!

I’m also working on some more promo content for MM – nothing too flashy as I’m on a very tight budget – but hopefully there’ll be a little extra something to help with the online promotion of that in the run-up to publication day. I’ll keep you updated on that one but enough for now because – spoilers. 🙂

Women Aloud NI

Things are also progressing nicely with the Women Aloud NI events in March and while full details of these will be announced in February, I can share this lovely image below, which the Irish Writers’ Centre has created to promote the Dublin event. (The link to that is here: http://irishwriterscentre.ie/collections/frontpage/products/international-womens-day-women-aloud-ni )

international_women_s_day_-_women_aloud_ni_1024x1024

I’m really looking forward to this – not least because I’ve never actually visited the Irish Writers’ Centre before (geography does tend to get in the way….) and it’s doing lots of great things for Irish writers north and south of the border.

Literary Salon

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Some of the literary salon writers.

This week I also attended the inaugural Literary Salon at the Thinking Cup Café in Belfast.

The idea of this is to connect local writers and run regular monthly events – I’m not quite sure how it’s going to proceed, as the original organiser has since moved on to pastures new, but the group seems willing to connect and create a community, so we’ll see what happens.

It was a great evening of writing chat anyway and I got to meet some new faces, which is always nice, as well as catching up with some I already know.

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With fellow writer, Erin Burnett.

 

Anyway, I think that’s my lot for now. Things are definitely progressing with the book (which is still with the copyeditor and expected back soon!), so I need to go back and reassess my list of things to do, as things ticked off are generally quickly replaced by new things hitherto forgotten or unthought of…

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Lovely artwork at the Thinking Cup Café.

Yesterday morning, for example, was spent on the chilly north coast getting some new author photos taken, so I can have them ready for marketing and promo purposes as needs be (she says hopefully!). For things like this, I’m very grateful to friends and family for pitching in and assisting. It does come in handy when you have a professional photographer in the family….

More as I have it!

 

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Mrs NettleBed’s Year

Nettlebed coverNow, we all know I love a good children’s story, and that I’m a big fan of Enid Blyton and fantastical tales…

Well, I recently read a brilliant little book, published by Derry writer, Sam Burnside, on December 1. Entitled Mrs NettleBed’s Year, the book is a collection of 20 short stories, which take us through the year with the magical and mysterious Mrs NettleBed of the title.

Where did she come from?

‘One day she was not there; the next day she was there. Brother Owl was the first to see her. He said she was tall and thin. Her dress was, he said, “decorated with nettle leaves.”‘

Deep in The Woods, Mrs NettleBed lives in her ‘tall and wobbly looking’ house, where she does her best to help her neighbours – be it rabbit, fox or otherwise – and tries not to lose her temper when things don’t always go quite right.

She may break her leg in Spring and have a Spoiled Summer Day, but then again, Mrs NettleBed also bags a bargain in Summer, enjoys a birthday party in the Autumn and tells a story about The Making of the Stars and the Moon in Winter.

What I love about this collection is that the chapters are snappy – usually no more than two pages long – so are perfect for reading to children of any age as a bedtime story. Inspired by the Brer Rabbit-style of stories from the past (which I also remember reading and loving!), they’re timeless, they tell a story and they also carry with them, little snippets of wisdom.

Sam Burnside

Sam Burnside

As Sam himself says: “These stories are meant to be read by children, but also to children. Sharing with an audience, especially across the generations, has always been important in the realm of storytelling. So has the sense of theatre – of being there in the moment, together with others, communing and growing and exploring in the world of the imagination.”

Mrs NettleBed’s Year is a delightful book written by an acclaimed poet and long-time renowned writer from Northern Ireland. A writer who, incidentally, founded the Verbal Arts Centre in Derry-Londonderry because he wanted everyone to have the chance to engage with literature and enjoy the magic of words…

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