Autumn editing etc.

Novel update

Autumn is upon us at last and with it, my novel editing has begun and is indeed, ongoing. I’ve already completed round one of this on my hard copy printout but have yet to transfer the changes onto the computer. Best get on that!

In my defence, I’ve been hard at work ghost-writing a biography, which has been very interesting and a project I’ve much enjoyed, alongside all my copywriting work, but this also gives my manuscript space to breathe and allows me to approach it with fresh(ish) eyes once I get back to it. All the better for the editing.

I have, however, scribbled out a poem since my last blog and some bits of a new short story (abandoned at the moment but there to return to at some point), so the creative juices are still flowing.

Lemn Sissay book event

I did mean to post about this before now (!) but I very much enjoyed attending a reading and discussion event with Lemn Sissay at the Black Box in Belfast on Friday the 13th (lucky for some!), to mark the publication of his memoir, My Name is Why. Always the performer, Lemn kept the audience (it was a sell-out event, might I add) entertained with his witty asides, but also reined in the focus as necessary when discussing the harrowing accounts in his book, which explain how he grew up in care in England, despite his mother wanting him back when he was a baby …

My advice? Go read it, as it’s a powerful book and is peppered with Lemn’s beautiful poetry, which appears at the beginning of each chapter.

I got my copy of the book signed, of course, afterwards and was surprised but pleased when Lemn immediately remembered where we’d met before (at the Verbal Arts Centre in Derry) before I could even open my mouth. 🙂

Giant’s Causeway Book Club

I attended Lemn’s event with my friend and fellow author, Kelly Creighton, who was also our guest at the GC Book Club in September, where we discussed her novel, The Bones of It. We had a very interesting evening, with a reading from Kelly and then a Q&A session and chat. The book clubbers scored the novel afterwards, giving it a very respectable 8/10. Again, this is another one I recommend reading, if you haven’t already.

Our October book choice is The Loney by Andrew Michael Hurley and we’ll be meeting a week earlier this month, as our regular spot clashes with Hallowe’en night itself and, well, the ghouls among us have things to be up to that evening! So, come along to the Causeway Hotel on Thursday, October 24 if you want to discuss this one… I haven’t started it yet myself, but plan to get stuck in this weekend after I finish my reread of the His Dark Materials trilogy (which I’m rereading ahead of the BBC 1 TV series and am very much enjoying again).

Mindful movement 

Aside from all of that, I managed to skip away for an hour on International Mental Health Day on October 10 as the National Trust was hosting a ‘mindful movement’ session at the Causeway Hotel, led by one of our talented book clubbers, no less, Ettaline Hill. Ettaline is a Shiatsu Therapist and Qigong Teacher and she taught us some moves which I have to say definitely left me feeling more relaxed but also energised afterwards. It was a very busy week for me that week, but it was well worth taking time out, especially on that particular day.

Anyway, I think that’s my lot for now. More as I have it. 🙂

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Novel news and book club visit!

I’ve had a really good summer of reading this year and with one thing and another (read: life) blog-writing decided to take a break in the latter half! However, Autumn is starting to show her face and I for one am looking forward to the new season of fresh, cooling days, darker evenings and furtive scribblings before a crackling fire.

Novel number three update

Writing-wise, I’ve been busy typing up the first draft of my manuscript for novel number three (in dribs and drabs) but I actually hope to have that completed sometime later today. Then, the fun can really begin, with rewrites, new writing and editing, editing, editing… I do a light edit as I type it up, but really, the typing mostly helps with refreshing my mind about what the story looks like currently as a whole and where the gaps are. I’ve got loads of ideas for extra material that I want to add in and ways in which I can flesh out some of the characters, and this time around, I’ve left myself breathing space to do that, as the manuscript is shorter than it usually is at this stage in terms of word count. So, I’ve got a healthy amount of words to play around with and can add in new chapters and scenes without it becoming a massive tome!

With this being my third middle-grade novel I find that my writing style has definitely evolved since writing Magical Masquerade way back in early 2011. With MM I wrote a sprawling first draft which totalled around 140,000-ish words (yes, really) and which required a heck of a lot of cutting down before the proper editing even began. With Phantom Phantasia, the sequel, I wrote it a lot more swiftly and the initial draft came in much shorter than MM’s first draft simply because I had a clearer idea of where the story was going and I knew better how to approach writing a novel, having already spent years creating the first one…

As a result, PP took less time to write and although the final book ended up being a bit shorter than MM, this was just because I was wrapping up a story and it was as long as it needed to be. This third book will likely be longer than PP – maybe around the final length of MM or somewhere in-between the two. I won’t know until it’s finished but again, it’ll be as long as the story needs to be. (Note: Longer doesn’t mean less concise editing; regardless of length, editing should always be tight for every piece of writing you do).

Anyway, book three is blossoming slowly. I really like the idea of it still, which is always good, as once you immerse yourself in a story for months and more, there’s always the risk of getting tired of it! I’m not giving myself such stringent deadlines with this one, but you’ve gotta have some end goal in sight, otherwise things can just drag on indefinitely. And I do like a deadline. So, once I’ve typed the rest up today it’ll be straight into writing my extra scenes and fleshing it out a bit more, then typing those up and integrating them into the novel.

As this is currently a standalone novel and not part of an existing series my current plan is to submit it to agents when I’m finally satisfied with it. All being well, that will happen next Spring, but we’ll see how it goes. One step at a time.

In the meantime, I recently delivered a few more boxes of Magical Masquerade and Phantom Phantasia to the Visitors’ Centre at the Giant’s Causeway, so it’s great that those books are still hopping off the shelves there and getting read by readers around the world. If you can’t get to the North Coast, however, you can always find them at Amazon/The Book Depository etc. as both e-books and paperbacks. 🙂

Giant’s Causeway Book Club

We had a mixed bag of reviews from the GC Book Clubbers over the summer, with our July and August reads – Instructions for a Heatwave by Maggie O’Farrell, which scored 8/10 and Swimming Home by Deborah Levy, which scored a more middling 5/10 (I gave it an eight myself!!). I enjoyed them both in different ways and found both books delivered fascinating insights into their characters. O’Farrell is one of my favourite authors and I think she excels at writing wonderfully rounded characters. This wasn’t my favourite book of hers (I’ve now read them all!) but I still really enjoyed it.

Levy’s book had a rather shocking ending which I for one didn’t see coming (in terms of who it concerned) and I liked how she achieved that shock without giving anything away in the lead-up to it. I thought she created tension well throughout the book, threading it through with dark humour and, for me, who enjoys delving into people’s minds, I enjoyed seeing things from the different characters’ POVs. They were all pretty unlikeable but getting into their minds gave you some understanding as to why they acted as they did.

September book club author visit!

Our September book choice is The Bones of It by NI author, Kelly Creighton, who is a very talented writer of short stories, novels and poetry. She is also a friend of mine and I read the book a few years ago when it was published, but regardless of that, I am a genuine fan of her work! I’m looking forward to reading this again as there’s been a nice gap since my first read and, what’s more, Kelly will be joining us at our next book club meeting, so everyone can quiz her on the book and her writing. 🙂 

The Bones of It is a psychological/crime thriller set in Northern Ireland which deals with the legacy of the Troubles in terms of how it has affected people’s mindsets and how they cope with living in its aftermath. It follows the story of a father and son and if you want to read the blurb in full and/or gift yourself a copy, you can do so here: https://amzn.to/2jYL9d8

If you wish to attend book club, it’s completely free, so just come along to the Causeway Hotel on the last Thursday of the month (in September that’ll be Thursday, 26th) and you’ll find us in the drawing room downstairs. As well as chatting with the group about that month’s read, the National Trust also provides free tea/coffee and sweet treats and of course, in September, you’ll have the added bonus of meeting the author. 🙂

Anyway, that’s all for now… I myself am looking forward to an event with Lemn Sissay next week in Belfast, having just read his memoir – My Name is Why. I met Lemn about six years ago when he was doing a poetry event in Derry (you can read my blog post on that here: https://clairesavagewriting.wordpress.com/tag/lemn-sissay/ ) so it’ll be great to hear from him again in what is sure to be a very interesting evening.

More as I have it. 🙂

Myth and Memory

Namita Gokhale, Jan Carson and Vayu Naidu in conversation with Paul McVeigh at JLF Belfast 2019 at the Lyric Theatre

Myth, memory and culture were the ingredients for a lively panel discussion between writers Namita Gokhale, Jan Carson and Vayu Naidu, facilitated by novelist and playwright, Paul McVeigh at this year’s Jaipur Literature Festival in Belfast.

One of the JLF founders and co-directors, Gokhale has written 19 books and has worked a lot “on myth and the constant reinterpretation of myth in current India.”

Naidu, also born and raised in India, has been “very influenced by myths and mythologies” and said they’d helped her to write about history in her fiction. However, for East Belfast author, Carson, her interest in mythology was more about “making up my own myths – contemporary myths.”

Indeed, growing up, Carson was surrounded by stories from the King James Bible rather than Celtic myths, which she said made her feel a bit more disconnected from traditional mythology than her fellow panellists. She added that her reworking of myths was subsequently coloured by this particular storytelling language from her childhood.

Asked by McVeigh why she created modern myths and what they allowed her to do, Carson said her magical realism style allowed her to address topical issues in a more indirect way.

Jan Carson

“For me, Northern Ireland is a prime candidate for that,” she said. “It amazes me that we don’t have more writers here working in that field.”

She added that in a society where people have “become numbed to the status quo,” surrealist writing was a way to “stop people in their tracks” and help them take stock of things.

During the discussion, Gokhale described how India was steeped in mythology and said there were two epic myths – the Mahābhārata and the Rāmāyaṇ – which were originally told in oral form before being written. She herself has retold the Mahābhārata in Mahābhārata, The Book of Shiva.

“It’s a very vital and living topic in India,” she said. “Myths dominate and control every aspect of life [there]… There are many different levels of gods and goddesses in India – and a lot of goddesses who are goddesses in their own right.”

Naidu, meanwhile, who performs epic literature as well as being a writer, said Indians tended to “think in a kind of poetry.” She added that, living as she does now in England, she carried Indian mythology with her as a way of viewing the world.

“For me, the myths are a memory for how I understand the Western world,” she said. “I won’t give up that way of thinking.”

Each of the writers shared some of their work with the audience, with extracts read by Carson and Gokhale and a special oral storytelling performance from Naidu.

Reflecting on the differences between oral storytelling and writing, she said: “The oral tradition is action-driven. When you’re writing, you’re in isolation – it’s more immersive.”

Going on to discuss memory, Carson, who also works with people who have dementia, said she’d learned that memory was something that wasn’t fixed. “As you grow and gain life experience, it changes your perspective of the past,” she said. “The memory [of things] begins to change.”

Collectively asked by McVeigh if holding onto memory too much could also prevent cultures from growing, Naidu said people could indeed get very fixed into the past. However, she added that, “collated memory can be a transformative thing.”

With Gokhale previously explaining how Hindu icon Radha is “the subject of every Bollywood film,” the event finished rather fittingly with an impromptu rendition of a Bollywood song from another festival participant.

Foremothers: Women and Freedom

Bee Rowlatt, Lucy Caldwell and Namita Gokhale in conversation with Vayu Naidu at JLF Belfast 2019

The second event I attended at the Jaipur Literature Festival in Belfast back in June as official festival blogger involved an all-female group discussion about strong women – those foremothers who had inspired the assembled writers and also, the importance of remembering women, who are all too easily erased from history.

Facilitated by Vayu Naidu, she posed this initial question: “Foremothers appear in the domestic and the political. But what is this thing called a ‘foremother’?”

Namita Gokhale, who hails from the Himalayan Mountains, said she had recently been handed a matriarchal family tree going back nine generations, which is unusual, as patriarchal family trees are more common. She said that this had given her a distinct feeling of where her inner strength as a woman came from. She added later in the discussion that she had always been part of a family of four living generations and that being part of that had also helped hone her identity as a strong woman.

“We’re told Indian women are shy,” she said. “We’re not… I’m very religious and I always identified with the bad-tempered Indian goddess.” She added that she liked the mantra, ‘fear nothing’.

For Northern Irish writer, Lucy Caldwell, highlighting foremothers, particularly in the writing world, is incredibly important. Having been involved with two all-Irish female author anthologies in recent years – The Long Gaze Back and The Glass Shore – she said that she considered those part of her history. She added that her mum had always taken her to the library as a child and was another influential woman in her life. Becoming a mother herself had further helped to shape her writing.

“The thing that changed my writing life was having children,” she said. “It gave me a new fearlessness. I didn’t care what anyone thought about my writing anymore.”

For Bee Rowlatt, Mary Wollstonecraft – described as ‘the first celebrity feminist’ – has been an incredibly influential foremother and she spoke passionately about her during the discussion. Discovering Wollstonecraft’s story as a literature student, Rowlatt subsequently travelled the world with her baby son, mirroring Wollstonecraft’s own voyage back in the day and writing about the experience in her travel book, In Search of Mary.

“Mary Wollstonecraft went on a voyage – a treasure hunt – with her 11-month-old baby,” she said. “She wrote a bestseller along the way. I decided I would try this too…

“Everywhere I look in history it’s the women’s voices, the women who are vectors of information. They know what’s going on and you ignore that at your peril.”

The event closed with a Q&A from the audience, which saw some further discussion on the importance of recording women in history.

Gokhale had earlier urged everyone to “reach out to the older people in your lives and record.” She added: “It’s the lack of records in women’s lives which makes it more important to research them.”

Patrick Gale and David Park

A few of my blogs from this year’s inaugural Jaipur Literature Festival in Belfast and Bellagy have now been published on the JLF website (see my previous blog post here for more details on this), but there’s a few from the Saturday which haven’t appeared, so I’ve decided to post them on my own blog in the meantime, starting with the first event I attended below. 🙂

Places Called Home

Patrick Gale and David Park in conversation with Elaine Canning

Family is at the heart of the most recent novels by British writer, Patrick Gale (Take Nothing with You) and Belfast author, David Park (Travelling in a Strange Land). It was subsequently very much at the core of this event, facilitated by Elaine Canning at the Lyric Theatre.

With both writers brought up in very religious households, they agreed that this was something which had seeped into their work.

Park, whose upbringing was in the Baptist faith, said the first stories he ever heard were from the Bible. “The language of the Bible became cloaked around my brain,” he said.

Gale also had a “very religious upbringing.” Indeed, his father was the son and grandson of a priest and may have become one himself, said Gale, had he not married Patrick’s mother…

The event was interspersed with readings from both authors, including both their non-fiction and fiction.

With David Park

“When you write about yourself and your family, as Patrick has revealed, there are pain moments,” said Park. One of those ‘pain moments’ for Park was in writing about an instance at Primary School, when he told the class his father was a bread server, as he felt shame in saying ‘labourer’.

Both Park’s and Gale’s novels ultimately focus on the dynamics of family relationships and belonging. “What you’re doing is writing about interesting failures,” said Gale.

In Gale’s novel, his protagonist, Eustace, reflects on his youth while receiving treatment in hospital. His parents are going through a rocky patch and Eustace, who is dealing with the business of growing up and discovering who he is, subsequently finds solace in music. “It brings him into contact with people who become substitute family,” said Gale.

A cellist himself, Gale added that the discipline of learning to play music has helped him as a writer. Park agreed that music was a big part of his own life. “Music, for me, is a constant all day long,” he said. “It calms and motivates me.”

As Canning pointed out, place also plays a huge role in both Park and Gale’s novels and not just place, but enclosed spaces. Indeed, Park’s story plays out in a car while Gale’s sees Eustace reflecting in a confined room during his treatment.

“There’s no such thing as the perfect family,” said Park. “My book is from the father’s perspective and about how to be a father, which is a difficult thing to know. It’s about a journey from Belfast to Sunderland.”

With Patrick Gale

“Both books illustrate the way we carry our families in our heads,” added Gale.

The novels also explore the idea of self-love and self-protection, said Canning, who also touched upon the function of music in both narratives. The cello and classical music is integral to Eustace, said Gale, while for Park’s story, pop music takes precedence.

The event itself finished on a musical note, with Gale reading an extract about music from his novel, followed by an audience Q&A. During this, Gale was asked what book of his own he would recommend a young person to read with regards to understanding their sexuality, as he speaks a lot in schools and is often asked the same. He said Friendly Fire was what he would advise and added that it was loosely based on his own upbringing.

The final word of the day went to Park, who was asked if things had to happen in real life to be able to write about them, or of imagination was enough.

“Everything you need is in the world of the imagination,” he said. “It’s the richest gift humans have.”

Summery artistic delights

Max Porter and Sarah Moss

With Max Porter

In my last blog, I chatted about a recent visit to the Seamus Heaney Homeplace in Bellaghy for JLF Belfast, which took place at the end of June. Just a couple of weeks later, I returned for another great event, this time an evening of conversation and readings with the authors Max Porter and Sarah Moss, interviewed by Sinéad Gleeson. I went along to this with friend and fellow writer, Kelly Creighton, and we both very much enjoyed listening to all the bookish chat, as well as meeting the authors afterwards.

Both Max and Sarah were very friendly and I was given a wee look at Max’s notes and doodlings in his copy of Lanny as he signed my copies of both this and Grief is the Thing with Feathers and chatted about the writing process. He told us during the discussion how Sarah often deletes entire manuscripts as well as other bits and pieces she’s written, if she’s not happy with them, while he (like myself!!) prefers to hold onto his work in case it later proves useful. Sarah added, however, that she’s a very fast writer, so it doesn’t worry her to get rid of work as she’s going along.

With Sarah Moss

Both Lanny and Ghost Wall, Sarah’s latest novel, hold a mirror up to today’s society, as Sinead Gleeson pointed out during the event. Both deliver tension in different ways but are reflective of what the world has become/is becoming and look at how (and perhaps why) people are the way they are. Def worth reading if you haven’t!

All in all, it was a really enjoyable evening and I look forward to reading The Tidal Zone, which is the book I bought by Sarah Moss at the event. I’d already read Ghost Wall from the library and have read both of Max’s books, so I await his next one!

Art in the Garden

Lady Godiva with Butterflies: Dali

Another great event I got along to at the end of June was Art in the Garden, which took place at the Culloden Estate and Spa in Belfast. (Click the highlighted text above for more info.) I just got along to it the day before it ended and was very glad I did, as there was a wealth of wonderful artwork on display both inside and out, including pieces from Salvador Dali – flown in from Switzerland – as well as Andy Warhol, Banksy, Picasso, Freud and many more.

I’m not in any way an art expert, but even I recognised most of the artists on display and I discovered lots of others too, including Northern Ireland’s Eamonn Higgins, who had a beautiful ghostly horse sculpture in the gardens outside, and Sicilian sculptor Giacinto Bosco, whose lunar sculptures were also amongst my favourites of the day.

Legend of the Lough: Eamonn Higgins

It being Northern Ireland, the rain was pelting down as we arrived but we toured the interior exhibitions first, had a coffee and then walked around the garden exhibits in lovely sunshine! It was a great exhibition and I for one would love to do it all again.

I have so many fabulous photos from the visit, but just have room to share a couple here!

Giant’s Causeway Book Club

The last Thursday in June also saw our monthly GC Book Club meet-up, where we discussed our very short play – Peter and Alice by John Logan – which was our main book of the month, along with Jeanette Winterson’s memoir, Why Be Happy When You Could Be Normal? We scored them 7/10 and 8/10 respectively, and I was pleased to hear how well the play had gone down, considering most of us there never really read plays. (Must rectify that!)

It was also our first birthday, so as well as tray bakes and tea/coffee, we had to have some chocs and cookies too. 🙂

Our book for July is Maggie O’Farrell’s Instructions for a Heatwave, so we’ll see how that is received on July 25!

Writing snippets…

As for my own writing, it is ongoing! I’m almost finished the first draft of my next novel… I had planned to get that tied up by the end of, erm, May, but my self-imposed deadline drifted away into June and now July. It’s simply because I just haven’t put the time in to complete it, as I’ve been distracting myself with editing a short story I’d written a while ago (which I’ve since submitted to a journal, having not sent anything off for absolutely ages), and have also written a new short story. I haven’t written short stories for a wee while, but I had something I suddenly felt compelled to write, so it’s being edited now and we’ll see what will be done with that once it’s done!

Altalena: Giacinto Bosco

(I’m still reading copiously, of course.)

Anyway, more as I have it. 🙂

 

 

 

 

At JLFBelfast 2019

Described as Simon Schama as “the most fabulous literary love-fest on the planet,” the Jaipur Literature Festival is a global phenomenon which came to Northern Ireland for the very first time this month. In the festival organisers’ own words, JLF ‘brings together a diverse mix of the world’s greatest thinkers, humanitarians, politicians, business leaders, sports people and entertainers on one stage to champion the freedom to express and engage in thoughtful debate and dialogue.’

You can imagine, then, how delighted I was to be involved with the festival as an official blogger for the weekend, after entering their recent blogging competition. Although I was unable to attend the opening night celebrations due to other work engagements, I did get along to several events which took place at the Lyric Theatre in Belfast and the Seamus Heaney Homeplace in Bellaghy on Saturday, June 22 and Sunday, June 23. I managed to cover three events on Saturday and two on Sunday and my blogs for those will be published on the JLF website in due course. This blog, however, is all about my experience of the festival and what it was like taking part as official blogger…

JLF at the Lyric Theatre

As soon as I entered the Lyric Theatre on Saturday, I was greeted by the friendly welcome team, who promptly tied a little colourful bracelet with bells on around my wrist. At the time, I thought it was just a lovely gift – which it was – but I later found out that it was also a much nicer equivalent of a festival wristband. Even better, as everyone was wearing one, the air was filled not only with excited chatter, but also the gentle undertone of tinkling bells, which only added to the overall atmosphere. When speakers were applauded during events, the bells also added a further layer of appreciation and were a constant reminder, to me anyway, that we were all taking part in something extremely special.

The welcome desk, I should say, also had JLF bookmarks, bindis and sparkly elephant keyrings for guests and of course, further on inside, Belfast’s best independent bookstore, No Alibis, had tables groaning under the weight of all the wonderful books the authors in attendance had written (ready to be bought and signed!).

The JLF team had also bedecked the space with beautiful gossamer fabrics, dream catchers, bells and other colourful decorations, bringing a real flavour of India to the venue.

My key contact as JLF blogger was Vidushi Khera (and also, our own Belfast author, Paul McVeigh), who quickly gave me a tour of all I needed to see. After travelling down from Bushmills I was a little peckish, so I made the most of the spread of snacks on offer, grabbing a coffee and muffin from the authors’ area upstairs before heading to my first event of the day. This was a discussion between authors David Park (from Belfast) and Patrick Gale (from the Isle of Wight), facilitated by Elaine Canning (author and executive officer of Swansea University’s International Dylan Thomas Prize).

With David Park.

After the event, I then dashed upstairs to write my blog in the authors’ lounge (being very anti-social I’m sure, tapping away on my laptop!), so I didn’t do my usual ‘buy the book and get it signed’ afterwards. However, once I’d finished writing, I popped into the dining area and lo and behold, there was David Park sitting with a variety of other speakers, finishing his lunch. I had about 10 minutes to grab a bite and of course, didn’t want to disturb him, but as he was leaving he caught my eye and recognised me as the JLF blogger (which did surprise me!) and was quite happy to have a few words and pose for a photograph. (Readers, it had to be done. I do like a photo with my favourite authors and I love David Park’s writing, so I always ask! 🙂 )

I’m not a food blogger, so I won’t go into detail about the culinary delights on offer, but suffice it to say, the Lyric had put on a lovely selection of delicious muffins, scones and whatnot, along with tea and coffee in the authors’ upstairs retreat. The lunch was also lovely – I had some sort of vegetarian dish with rice and the staff were very friendly and helpful in encouraging me to tuck in!

My next event was just an hour after the first (my first, that is – there were a couple of morning events that I sadly missed) and this was a panel discussion on the subject of foremothers. (Again, these blogs will be put onto the JLF Belfast website, so I won’t share my thoughts here). After that, I had an hour-and-a-half to go over my first blog and write the second (I’m a bit of a perfectionist so I do like to check things meticulously!), so I had a bit more time before my last event of the day. I’m not a multitasker when I write, so I wasn’t partaking in the background chatter in the room, but with a busy programme, most of the speakers were just enjoying some downtime and gathering their thoughts for the next event, so it was all very relaxed.

Jan Carson (R)

The third and final event that I attended and blogged about was a ‘myth and memory’ themed discussion and one of the writers involved with that was East Belfast author, Jan Carson (who recently won the EU Prize for Literature in Ireland with her novel, The Fire Starters). I’d bumped into Jan earlier in the day and also ran into one or two other familiar faces, including events organiser Hilary Copeland (recently appointed as acting director of the Irish Writers’ Centre) and of course, David Torrans from No Alibis Bookstore. As I was literally attending an event, then going upstairs to write about it, I didn’t mingle as much as I would have if I’d been attending as a regular audience member. However, I like to be busy, so I enjoyed having something proactive to do in-between times and liked seeing behind the scenes. As a journalist, I’m used to covering events but normally, I’d write everything up the next day, so that was one thing that was a bit different for me – writing immediately after the event ended. It made for a slight bit of stress, but who doesn’t enjoy a bit of adrenaline?!

JLF at Seamus Heaney Homeplace

Sunday, for me, was a more relaxed day as festival blogger as I was to cover two events back-to-back and then write them up at home and send to the team later. So for one thing, I didn’t have a laptop in tow, and for a second, I wasn’t dashing off between events to blog.

With colourful bunting outside and more decorations once again inside, SH Homeplace was a hub of activity when I arrived at lunchtime. After checking in with Vidushi I found myself having lunch beside Patrick Gale, award-winning poet and conservationist Ruth Padel and a short while later, was joined by Jan Carson, Bee Rowlatt (journalist, writer and broadcaster) and Salil Tripathi (author and chair of PEN International’s Writers in Prison Committee). Definitely one of the perks of helping out at a festival is getting to mingle up close and personal with the speakers.

Tara Gandhi Bhattacharjee (centre)

My first event on Sunday was a discussion with Gandhi’s granddaughter, Tara Gandhi Bhattacharjee (as inspirational and interesting as it sounds!), followed by a discussion on Yeats and Tagore. In between these, I picked up a couple of books from No Alibis and, upon discovering that Patrick Gale was sitting behind me in the events, happily got him to sign his latest novel for me afterwards.

Colouring the air with words

All in all, my experience of JLF Belfast 2019 was one of fascinating discussions, impromptu author meetings, great food and a wonderful atmosphere. What stood out for me was the fact that everyone seemed so full of energy and genuinely delighted to be there. The speakers all spoke passionately on their subjects, the audience members were fully engaged and the programme was packed with variety across the weekend.

With Patrick Gale.

There was a real sense of shared passions and of people discovering new-found interests, as well as a general celebration of literature and an overarching sense of fun. (We had Glenn Patterson singing in the hallways of the Lyric Theatre and unplanned musical performances in some of the events, which only added to the richness of what was being delivered.)

I think the programme (NB JLF Belfast was curated by Teamwork Arts, who produce the ZEE Jaipure Literature Festival) really succeeded in bringing a flavour of what Jaipur Literature Festival is all about to Belfast and Bellaghy – vibrant, inspirational and fun – and I for one, look forward to the next time!

 

 

 

Balancing the books…

Being a bookworm and a writer goes hand-in-hand. Reading improves writing and exposes you to all sorts of wonderful wordplay, language styles and ideas. It makes you more empathetic and widens your vocabulary and, as a self-confessed bookworm myself, I have to say, it’s my favourite hobby.

However, as a writer, it can’t just be all about the reading – one needs to actually write, too, and over the past few months I’ve found myself consumed more with the former than the latter. I read on average 8-10 books a month but have also managed to write half a novel since the New Year, so it’s not that I’m not writing, it’s just that I think I need to balance my books a little bit better – i.e. spend as much time writing my own book as I’m investing in reading other peoples’.

If my day job wasn’t also being a professional copywriter/journalist then I think this would be much easier to do. I’ve reflected on here before about how the mind often just needs a rest from writing when you’ve been doing it all day long. My novel-writing and whatnot happens in the in-between times, like most writers – squeezed in before bedtime, or on a lunch break; perhaps on a Sunday afternoon or in a snatched hour between other work/chores etc. As with reading, writing comes from making the time to do it. I don’t ‘find’ time and I certainly don’t have oodles more of it than anyone else – we all have busy lives – but if I want to keep being a writer, then I prioritise it above other things.

David Mitchell at Heaney Homeplace

Of course, sometimes we just need a kick up the backside when we feel complacent in our work, and being around other writers helps with that. Indeed, one of my favourite authors – who is a superb writer – said the same himself on Saturday, when I saw him in conversation at the Seamus Heaney Homeplace in Bellaghy. David Mitchell had just taken the Homeplace tour, which documents Seamus Heaney’s life and work, and said he felt humbled by the sheer volume of work Heaney had produced, as well as its excellence. He joked that it made him want to run home and get some work done, adding that being around other writers and attending events etc. are good motivators for getting your own writing done.

It’s easy to forget that even very talented and accomplished authors like Mitchell still need that inspiration/motivation and that, just like any writer, they fret about the quality of their work and how it will be received. Poised to send his latest manuscript (which is about music and takes place in the late Sixties) to his publishers, Mitchell told us that he was nervous about what they would think of it, particularly as he always tries to make each book markedly different from the last. To give readers the same thing over and over again would be, he said, unfair to them, so he constantly challenges himself to reinvent his writing with every book (rather like Queen, if we stick with the music theme! They have a distinctive sound but always sought to create something totally different with each album, sidestepping the formulaic).

I think this reinvention is certainly evident in Mitchell’s books and is something which I, as a reader, enjoy, along with his writing style, which can be very poetic and always conjures up vibrant imagery and ideas. I always tend to describe his stories as ‘sprawling’ (in a good way), as they weave together so many different threads to create writing which is rich and intense and very exciting to read.

As someone who’s always working on various copywriting and other creative writing projects, I like the variety in my work and, by the time I finish writing a manuscript or even a short story, I’m generally looking ahead to the next project. So, it was reassuring to hear that Mitchell, too (and other writers I know) have the same compulsion. He jokingly likened it to being “in the final throes of a decaying marriage” – or something to that effect. Make of that what you will! In all seriousness, however, once a longer-form piece of work is finished, you’ve already spent so much time working on it that it’s only natural to relish the thought of getting stuck into something new. Variety, after all, is what keeps us sane. 🙂

The skill of any good writer is, of course, to make their work appear effortless and Mitchell’s readings at Saturday’s event demonstrated this perfectly as he shared some very lyrical lines with us. The final polished piece shows no sign of the word-whittling and tweaking; of the deletions and additions and the rewritings and rewritings and rewritings …

All in all, it was a great event and one which I had been particularly looking forward to for a while. It was lovely to get all my books signed afterwards too, and to have a chat with the man himself. Homeplace always has a great programme of events (all-year-round), so if you’re in NI and a bookworm, do check it out!

Giant’s Causeway Book Club

Last week also saw our latest meet-up of the Giant’s Causeway Book Club, where we discussed Jeanette Winterson’s novel, Oranges Are Not The Only Fruit. We scored the book 7/10 and enjoyed it so much that we now all want to read her actual autobiography, Why Be Happy When You Can Be Normal, which we will do very soon!

I would describe Oranges as ‘faction’ – a blend of fact with fiction – and I found it very quick to read and very enjoyable. Indeed, I intend to reread it, as it gives you a lot to think about, despite it being rather a short book, and has a wide range of themes, symbols and whatnot woven throughout which I’d like to ponder a bit more.

I was surprised that it actually focused more on Jeanette’s (the protagonist is also called Jeanette) general life growing up with Pentecostal parents as opposed to her later coming out, which is of course featured, but doesn’t dominate the novel as much as I thought it would. With Jeanette trying to make sense of her life as she grows up by writing fairy tales and myths, the book is punctuated with these stories of hers – something which, when you understand what she’s doing, really adds to the overall story (for me, anyway. I know this element jarred with a few people). The writing is beautiful and I’m definitely going to get onto her backlist of books!

Our May book choice is a historical fiction novel called The Owl Killers by Karen Maitland. We have five weeks until our next meet-up (and a Bank Holiday within that!), so I thought a chunky story like this would be ideal. I’ve only ever read Maitland’s first novel, which I loved, so am expecting this to be another page-turner.

The whole point of the GC Book Club is to read beyond what’s being published at the moment and delve into the many books which already exist, as well as exploring a range of genres. It’s very easy to be consumed by reading only what’s on the current bestseller lists and to forget about the wealth of great writing not being promoted in the Top 10, so that’s why our book choices are quite varied. That being said, we do also read recent books – the idea is to cover all options.

Anyway, that’s all for now… Still also working on my Big Telly Theatre story, with a feedback session on that due soon, so … more as I have it. 🙂

 

 

Bookish snippets…

The past couple of months have been filled with all sorts of bookish projects and shenanigans, hence the little blogging break… So, without further ado, here’s what’s been happening!

Big Telly Theatre project

Back in January I was one of various Northern Irish writers approached by Big Telly Theatre Company to submit a proposal for an exciting new project called Sea Gods, Shipwrecks and Sidhe Folk – Treasures of the Causeway. Fast-forward to February and I was delighted to hear that I’d been chosen as one of four NI writers to contribute to the project, those writers being myself, Jane Talbot, Moyra Donaldson and Dominic Montague.

(L-R) Dominic, me, Jane, Zoe, Moyra, Linda and Wes

Essentially, we’ll be writing original stories about eight different sites along the Causeway Coast, using the archaeology and mythology of each for inspiration. The narratives will then be recorded by local actors, with an audio installation placed at the locations for visitors to enjoy. I’m working on a story linked to the Lissanduff earthworks/raths in Portballintrae, which is close to my home and a location I’m very familiar with. I’m looking forward to seeing all the stories come together soon!

Giant’s Causeway Book Club

Since my last blog we’ve enjoyed two further GC Book Club meetings. January saw us chatting about our December/January reads – The Explorer by Katherine Rundell and Dr Jekyll & Mr Hyde by RL Stevenson. We scored the former 8.6/10 and the latter 6.9/10 (being very specific now by including the decimals!) We thought The Explorer was very well written, with strong, interesting characters and an original narrative, while Jekyll & Hyde was atmospheric and interesting, despite everyone obviously knowing the ending already.

For February, our selected book was a modern fantasy classic – Little, Big by John Crowley. Not everyone had finished this one as it’s very long, at over 500 pages, with very small font, but we went ahead and scored it anyway and it got a respectable 6/10. Personally, I loved this book and scored it 10/10 as I think the writing is rich and beautiful, the story infused with magic throughout and the narrative interesting and full of many threads which all kept me hooked. Anyway, for more on these books just click onto my Instagram account (linked to the right).

With Brian McGilloway

Our March read is a crime fiction novel by New York Times best-selling author, Brian McGilloway, who hails from Derry in Northern Ireland – Little Girl Lost. Details in the next few weeks on what we thought of it!

NOIReland Crime Fiction Festival

In keeping with our crime-themed book club read for March, myself and fellow book-clubber Julie went along to the launch event of the NOIReland Crime Fiction Festival at the Europa Hotel in Belfast at the beginning of March. I haven’t really read much crime since I was a teenager, but I’ve interviewed a fair few crime authors from NI over the years and I know lots of local writers, so we had a great time looking for (and photographing) authors at the launch.

We were also gifted a free book (there were a few left over at the end, so we nabbed a second!) and the weekend itself seemed to have gone very well. On the way out, we bumped into none other than Brian McGilloway himself, so we had to get a wee snap with him too. 🙂

Phantom Phantasia at the Causeway Visitors’ Centre

On the day of the NOIReland launch, I also delivered a few boxes of my second middle grade novel Phantom Phantasia, to the Giant’s Causeway Visitor Centre, along with several more boxes of book one (Magical Masquerade).

It’s great that both books are now stocked in the shop, so if you’re visiting and want to pick up a copy of either, please do!

World Book Day dress-up!

Keeping with the books… I was delighted when a young local reader decided to dress up for World Book Day as the main character in MM and PP (Felicity Stone). I haven’t included her pic here but it’s over on my author FB page if you want to take a look. 🙂

Coffee shop writing…

Aside from all of that, I’ve also been writing odds and ends of poetry recently and also working on my next middle grade novel. In fact, I even decided to try a spot of writing in a local coffee shop back in February (not normally what I do at all, as it’s too noisy – and it was), and I discovered it had become fully dog-friendly. Ergo, my next few visits to Koko Coffee Shop in Portrush were with my pup and no more coffee shop writing was done!

Coleraine library reopened

Unfortunately, lots of libraries are being forced to close or operate with reduced opening hours in the UK these days, but fortunately for us on the North Coast, Coleraine Library just recently reopened after what I believe was a £2.5m refurb. I haven’t used the library in years, as I do like to keep my books, but I’ve already been along twice now to borrow books and it’s been great! I’m very glad to see our local library being looked after.

Anyway, more as I have it. 🙂

Writing reflections…

At this time of year, most people like to take stock of where they’ve been and where they intend to go in the next 12 months. I think it’s good practice to reflect on what you’ve achieved in the past year as, generally, it’s a heck of a lot more than what you thought.

In 2018, I managed to get book two out into the world, finishing the writing and editing of it earlier in the year and then launching it in October with a lovely book launch party at the Portrush Coastal Zone.

With regards to other bookish things, I was delighted to get Magical Masquerade stocked (and restocked a few times!) at the Giant’s Causeway Visitors’ Centre, after being accepted as a supplier by their buyers back in December 2017. I also took part in a Meet the Makers day at the centre in October. Meanwhile, MM was also stocked in Belfast bookshop, Books Paper Scissors.

Staying with the National Trust, I was very happy to be asked to host the new Giant’s Causeway Book Club around this time last year, which launched in June 2018 and is still going strong. (Our next meeting is Thursday, January 31st if you’re local and interested in coming along!). I also started my own BookTube channel, though this fell by the wayside a bit later in the year due to technical glitches… I’m not sure if I want to pour too much energy into this going forward, but with a new phone finally on its way to me (!) I might give it another go in the near future and see how it pans out. Watch this space. 🙂

Speaking of BookTube, I took part in an online magical realism writing workshop with the very talented Jen Campbell.  She’s a very skilled writer and editor and I do write a lot of magical realism, so it was great to get her feedback and advice on a new short story which I wrote for this. I don’t always make solid goals to achieve in the year but perhaps one that I would like to jot down for 2019 is to reinvest more in my writing over the next 12 months and do more things like this. I found this particular workshop well suited to me as feedback was provided over Skype and via email so there was no travel involved and it was more flexible. I took part in a group workshop so I also benefitted from seeing the feedback given to the other writers too. I fully believe, of course, that it’s important to get out to events and whatnot in person, but a mix of digital and in-person is good, I think!

I myself was invited to run a creative writing workshop in Crumlin for eight weeks, which I enjoyed doing during October/November last year. I also did some writing exercises with two classes of a local primary school as part of an author visit, which is always fun!

Alongside all of this I also took part in events at Waterstones in Coleraine, the Belfast Book Festival and Eastside Arts Festival, and became an Irish Writers’ Centre member and writing mentor. I received the final instalment of my Arts Council National Lottery grant towards the end of the year and I also saw my poem, written for a collection (Be Not Afraid) in memory of Seamus Heaney and accepted for publication back in about 2014/15, finally published in book form by Lapwing Publications. The project took a few years to get off the ground, but it was great to see everyone’s poems in the collection at last – and well worth the wait!

2018 ended with a nice surprise when MM was included on a KS2 map of middle-grade books across the UK, and the only NI-based book on the map. (See a few blogs back for that). And PP was also included in Books Ireland’s First Flush section of newly published Irish books.

So, all in all it was a good writing/bookish year (I also read 92 books and that doesn’t include my many rereads of Phantom Phantasia during the editing process!!). I won’t go into work-related achievements in terms of my copywriting business, as I think this post is quite long enough, but reading all this back I realise I achieved a lot more than I thought. Indeed, the intention of this post was to reflect on my author-related achievements last year as a means of realising that yes, I did actually achieve things (!) and also, with a view to thinking about what I’d like to achieve this year.

At Christmas, I decided in the end to take a break from writing and simply indulged in a lot more reading… e.g. I finally read the complete Harry Potter series (I only read the first few books over 20 years ago so it was long overdue that I read all seven!).

Although I wasn’t sure what I wanted to focus on writing-wise this year, I did have an idea for a story back in October/November, and had made some notes re that. However, nothing progressed with it until a couple of weeks ago, when I just took out my notebook one night and started scribbling. (This was around 11pm of course, and I ended up writing on into the night a bit… Always the night owl!)

I do still want to look at writing some short stories and poetry again this year, but for the meantime, this story is now underway and yes, it is novel-shaped. 🙂 Whether or not anything becomes of it is another thing – I like the story that I’m writing so that’s really all I need to write it. However, despite having enjoyed the independent publishing process with MM and PP, if I decide I want to pursue publication, this time around I may look into pursuing the traditional route. We shall see. Early stages…

Other than that, last year I started another bookish project which unfortunately I can’t tell you about, but which is still being worked on as we speak, so my hope is that at some point in the near future I can share details about that… It’s quite a beast of a project, so again, we shall see, but if all goes well, it promises to be very exciting.

I think that’s all for now. Nothing like a bit of an essay to start off the blogging for 2019… More as I have it. 🙂