Winter writing

With winter comes a closeting of oneself from the cold. For me, it’s a time to bury under layers and write and read by lamplight; feet warming by the steady flickering of fire after a freezing walk with my dog in snow, rain or hail… At this time of year, the evenings have drawn in and it’s dark by four in the afternoon, so it’s hard to resist the temptation to knock off early and indulge in more literary pursuits. There’s just something about the dark, I find, and the squirreling oneself away that sparks the imagination.evening-959028_1280

I find this kind of wintery environment very conducive to writing and while some writers may dismiss the ‘romantic notion’ of writing late at night, I simply write when I can and with my work schedule, that just happens to be in the darker hours. If you can write well, then the time of day makes no difference. If you have time in the morning, then great, but time is like fairy dust and is difficult to catch, so wherever you can find a few minutes, do so.

At the moment, I’m allowing ideas to flow freely, in the hope that once the festive period comes round and it’s finally time to have a holiday, I’ll be more than ready to spin some tales. As work ebbs and flows, it keeps more lengthy scribbling at bay, but it’s enough for now to have thoughts unravelling and for snippets of prose to be jotted down for future use. I’m also enjoying some short story collections, and am writing snatches of poetry – keeping an eye on the calendar all the while…

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Creative links

photo 3Yesterday I was delighted to pick up my copy of SHIFT Lit -Derry, which is a really nicely produced local writing magazine crammed full of poetry, stories and art. This third edition took on the theme of women, and I met some of the other contributors and the SHIFT Lit team as they launched the magazine at the Women of the World Festival in Derry.

During my visit to the city, I also enjoyed meeting lawyer/crime writer, Desmond J Doherty, as well as taking in a double book launch from Sam Burnside, who has a new book of poetry and a book of children’s stories out. All in all, it was a busy day of writing events and I’ll have links soon on my articles page here with regards the interview with Des and the review of the launch (if anyone’s interested).

Far left - Geraldine and Aine from SHIFT Lit, with two contributors to the mag.

Far left – Geraldine and Aine from SHIFT Lit, with two contributors to the mag.

As for my own scribblings – it’s been more of an editing job this week, but I went to a poetry lecture on Thursday which has got me thinking on some new ideas, and I feel there’s another short story ready to be written!

My other writing news this week is that I was very pleased to learn that my short story for children – The Wishing Tree -has been accepted for publication in the inaugural edition of the new NI journal for children’s writing, The Launchpad.

11045486_10153132938600877_1332391419223408004_nSo, it’s been a good week for writerly things with me, although next week, I hope to put a bit more ink in my notebooks. :)

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Notebooks and novellas

photo (2)On a day when the wind is gusting round the house and the rain is making the coals sizzle in the hearth, there’s nothing better than seeking refuge on the sofa with a stack of books. It is November now after all, and up here on the north coast of Ireland it does get rather blustery! Knowing I have time on a Sunday to do my own writing and read for more than a few snatched minutes makes up for all the missed moments during the week, when work and other commitments consume, although every week is different of course.

Today, I edited and re-wrote elements of two of my recent childhood-inspired poems, as well as writing a new one, so I have my selection for submitting to the CAP poetry anthology judges later this month. More refining may follow, but the skeletons are now in place.

I also immersed myself in John Connolly’s Night Music: Nocturnes Volume 2 – a wonderfully creepy tome filled with bookish novellas and short stories, which is just perfect to read on a day like today. Unlike some other supposedly chilling stories which I’ve read over the years without so much as a shiver down the spine, Connolly’s haunting tales always deliver, so I’m savouring this book while I can. Hopefully some of his skill will rub off in my own writing… There’s no harm in hoping. :)books-20167_1280

Speaking of my own stories, I’m very pleased to say that one of these will be published in the next edition of a magazine which champions new writing over here in Northern Ireland – SHIFT Lit – Derry – so I’ll be picking up my copy of that this weekend. It’s one I wrote a few years ago, when I began writing again in earnest. My short stories are usually a minimum of 2,000 words and the requirement for the magazine was around the 1,300 word mark, so to me it’s not quite flash fiction, but somewhere thereabouts. The story was one I’d always quite liked but never done anything with, and it was also around 1,500 words, so I edited it and tightened it up and was therefore very happy to hear it had found a suitable home.

I’ll also be dropping into a double book launch next weekend, as Sam Burnside reveals his latest poetry collection and children’s book, so more will follow on that!

Anyway, that’s my writing story this week… :)

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Unlocking the poetic form

heart-773140_1280Mid last week, I went along to a poetry workshop aimed at facilitating us north coast writers in producing a new poetic work for submission to the 2016 CAP poetry anthology.

This is an anthology published yearly by the Community Arts Partnership in Northern Ireland, and I’ve been lucky enough to have featured in the last two editions. Which sort of puts on the pressure in making it a hattrick!

However, it gives one something to aim for, so there’s nothing wrong with that.

This time around, the theme for the anthology is loosely based on connections, so it’s a wide spec, which I think is their aim – it could inspire all types of poems. The question is – what to write? background-936710_1920The workshop I attended in Ballycastle (where I joined some of the wordsmiths from the Ballycastle Writer’s Group!), was led by Georgia Wilder, who chatted to us about poetic form, including the ‘found form’ as well as things like villanelles, sonnets and the like. As I usually tend to write in free verse, I enjoyed going into all of this, although I think writing in form does run the risk of distorting what you want to write sometimes, in order to make it fit the style.

However, I’m now suitably re-armed with thoughts on the poetic foot, meter and scansion, so all that’s left is to have a go at writing something new and exciting… or possibly editing one of those wee poems I recently wrote while under the influence of Plath and Hughes. We’ll see what happens. :)

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Thrills and spills in writer-land

With John Connolly.

With John Connolly.

We’re extremely lucky in Northern Ireland to have a brilliant independent bookstore called No Alibis in Belfast. You can find it nestled on Botanic Avenue – a bustling street populated with students and creative types, coffee shops and more. As well as selling crime fiction, which it’s very well known for, No Alibis also stocks a wide range of other fiction and poetry books, and often holds book launches and music nights. In short, it’s a Northern Irish gem when it comes to the arts.

So, this week, I enjoyed a double book launch in the store with none other than John Connolly and Brian McGilloway – from Dublin and Derry respectively. Both are thriller writers, although John Connolly was launching his latest collection of spooky short stories, Night Music: Nocturnes 2, while Brian McGilloway was debuting his latest DS Black book, Preserve the Dead. (You can read my official review of the evening here.)

Anyway, as we all know, there’s nothing like going to a literary event to get you inspired, and it was great fun listening to these two chat with host David Torrans about books and reading. I like that both of them prefer the feel of a traditional paperback in their hands rather than e-readers and that a mystery/detective book was the first type of book both of them read as kids as their first ‘reading alone’ book.

David Connolly, David Torrans and Brian McGilloway talk books at No Alibis Bookstore.

David Connolly, David Torrans and Brian McGilloway talk books at No Alibis Bookstore.

I also like the fact that Connolly, like myself, now keeps a book journal so he can remember what books he’s read in the year and that he’s a self-confessed bibliophile – he collects books and loves being surrounded by them; can’t resist them.

It’s always nice to see authors in the flesh, I think, and while everyone writes differently, hearing about their writing processes is intriguing. Connolly says he has nothing lurking in drawers that could be published – he writes with the purpose of publication and wants everything to be perfect (that’s the journalist in him I think!). McGilloway on the other hand, like most writers I’d say, has a drawer of half-finished or discarded pieces of writing – for a rainy day. He might use an idea or two from these at a later stage; Connolly however, doesn’t work this way. He added that for him, writing a novel was a two-year process, which is interesting to hear in this world of seemingly speedy wordsmiths. But again, everyone has their own ways and habits of writing.

CONNOLLY2Myself? Well, it was a week of nights out for me this week with work and what not and, as I usually squeeze my writing into the darkening hours, I had to wait until today (Sunday) to do some scribbling. But my hand could not be stayed thankfully, and I managed to write a chunk of my latest story, as well as a wee poem. (How good these poems are remains to be seen, but I’ve amassed a fair few over the past couple of weeks, using my early childhood as inspiration, and I quite like them anyway!)

The important thing is – to keep writing and to keep being inspired. :)

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Meandering on…

Following on from last week’s flurry of poetic activity, I’ll admit, I haven’t been quite as proactive this week, although I did manage to pen four more poems and did a little bit of prose writing. I also managed to find Ted Hughes’ Birthday Letters in my local second-hand bookstore on Saturday (along with a few great books from some Irish writers, including Edna O’Brien and Colum McCann!).

photo (3)I really need another bookcase…

There are so many great books, stories and poems out there already that it seems sometimes futile to be attempting to add to their number, but then, this is why it’s so important to mix contemporary writing with what has gone before when reading. The oldies are great, but new writers shouldn’t be forgotten or ignored, as they’re the next link on the literary chain. However, on the other hand, modern writers shouldn’t, I think, be consumed without any enjoyment of their predecessors as well. It’s a balancing act, as I really believe the best reading experience is to have a blend of both. You can’t read everything in your lifetime but, well, you can try!

As for me – I’m currently in somewhat of a ‘what’s gone before’ phase, reading the likes of Hughes and Edna O’Brien and also just now, a book from the 80s by Polly Devlin, although I’m also reading the latest short story collection from Tramp Press and have got a few other new novels waiting on the sidelines. With books, as you can see, I have no issue with simultaneous reading!

Meanwhile, my own writing tootles along somewhere in between all of this, being both inspired and frightened off after reading all of these literary greats… :)

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Plath and Hughes = muse

My new poetic tome...

My new poetic tome…

Over the weekend, I caught a programme on BBC2 about the poets, Sylvia Plath and Ted Hughes (worth catching on iPlayer!) and it had the effect of bringing my poetic consciousness out of hibernation. Yes, I admit it had been squirreled away in some remote corner of late, but I was suitably inspired and I went with it. My previous poetry book where, yes, I wrote all my poems by hand, had given up its final page a short while back, and a new book beckoned.

Listening to friends and acquaintances of Plath and Hughes speak, as well as hearing them both physically read their poems, brought home the idea of the personal muse.

Yes, it’s hardly an earthshattering announcement, I know – to use personal experience and/or people to inspire your work – but most of my poetry is abstract in that it deals very little with my personal life. I write from afar – I use it as an often fictional narrative and while I don’t think there’s anything very wrong with that, this documentary was the spark that made me sit down on Sunday and pen seven poems one after the other in my freshly minted little paperback book (nicely decorated with a stag that’s quite literally blossoming…)

My poem (beneath the pic) in the County Derry Post.

My poem (beneath the pic) in the County Derry Post.

Reading them back, I was actually happy with what I had produced, straight from memory – snapshots of personal events from my childhood – little moments which for me, are the signposts to another time.

I wrote another two today, and was also delighted to discover that my poem, Winter’s Witching Hour, which I wrote last Christmas, had been published in the inaugural ‘Writer’s Corner’ page of a local newspaper, the County Derry Post.

It’s been a poetic reawakening for me these past few days, and I intend to keep it up!

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